En esta imagen se aprecia un arte muy usado hoy en dia en los mausoleos y lapidas, pero restauradores y nuevos creativos los llevan a construcciones nuevas.
Romanesque and Gothic Studies:
from a drawing by James Stevens Curl, 1956.
James Stevens Curl has produced a great many line-drawings in pencil and pen-and-ink for various purposes, including illustrations for books (e.g. his own Oxford Dictionary of Architecture and Landscape Architecture [2006]) and papers. Some are records of measured surveys of buildings, etc., some are satirical, some are studies of historical subjects, and others are original designs. Many are simple black-and-white line-drawings, but on occasion he introduces sparing use of water-colour or gouache to heighten effects.
Su ARTE EN IMAGENES
They are Weighed in the Balance and found Wanting:
from a drawing by James Stevens Curl, 2004 (with respectful apologies to Augustus Welby Northmore Pugin [1812-52]).
pilaster (a) Classical pilaster (left) with flutes and cabling, and (right) plain shaft, both with Attic base; (b) French sixteenth-century example with arabesque panel on shaft; (c) Jacobean example from Astbury Church, Cheshire.
Viking ornament (left) Carving, south door, Kilpeck Church, Herefordshire, showing twelfth-century Ringerike designs. (right) Eleventh-century carved portal, Urnes Church, Norway.
Knell for the Past, and Vision of a Barbarous Present and Future:
from a drawing by James Stevens Curl, 2005 (with respectful apologies to Alfred Rethel [1816-59]).
| Southwell Schools, Downpatrick, County Down, 1733, Architect unknown: from a drawing by James Stevens Curl, 1957. |
No hay comentarios:
Publicar un comentario
Escribe aqui tus ideas